Improvisation Course 5

Harmonization of major range !!!

Ok, this is the penultimate lesson before beginning the actual practical courses ... so you still have a little patience

We will learn one of the most important concepts to a wide harmonization. This agreement involves the construction of each stage of a game, using only notes from the series. This generates a series of agreements that are related, having a common tonal center.

We use G major as an example:

The notes are: G, A, B, C, D, E, F #,

So look on the stave:



To approximate this range will have to build them acoduri each step.
Agreements are formed from at least three overlapping sounds. An arrangement of three sounds (triad) form inside these intervals from fundamental (which is marked with a):

- a third - is marked with number 3
- a quint - is marked with number 5


A seventh agreement consists of four sounds (three overlapping third). Contains steps 1,3,5 and 7.

The circuit would look like:

Triad: fundamental - third - quint (1,3,5)
Agreement with the seventh: fundamental - third - quint - seventh. (1,3,5,7)

Now we construct G major agreements to implement the above information.

3 AGREEMENTS SOUNDS

We begin with the construction of three sound agreements. We will take every step and we will add range and third quintiles.
The notes in G major are G, A, B, C, D, E, F #.
We begin with the first step, note G. Keeping notes of the range, third (Z) is B and D. The quint is shown below the image on the portable this Agreement.


Continuing to build agreements with major G by applying the same technique, complete harmonization of the game will look like this:




Type each of the above agreement is defined by the intervals that contain it.

One major line formed three types of triad: major, minor and out.

Details:
MAJOR - third big perfect fifths: 3 M, 5 P
MINOR - third small, perfect fifths: 3 m, 5 P
DECREASE - third small fifths lowered: 3m, 5 -

If we analyze every chord built on G major, we get the following:



The order of these agreements is the same for any major range because this range is the same pattern in all tonalities. So and so we can harmonize the triad schematising:

I - major
II - Minor
III - minor
IV Major
V - major
VI - minor
VII - reduced

Where figures are Roman steps of a major game.

1 YEAR


Ranges for each of the major theme will be to write:

1. Notes major range
2. Harmonization in the three agreements portable sounds
3. The name of each agreement and its type (eg. gmin)

IMPORTANT: Be sure to include specific alterations and different tones.

TYPE =  http://www.blanksheetmusic.net/ you can print pages free "music" for this exercise.




C major

F major

Bb major

Eb major

Ab major

Db major



If you want to check, try to write here on the forum, something like this:

G major:

I - Gmaj G-B-D
II - Amen: A-C-E
III - Bmin: B-D-F #
IV - Cmaj: C-E-G
V - Dmaj D-F #-A
VI - Emin: E-G-B
VII - F # dim: F #-A-C

Successful

Harmonisation with agreements with the seventh


Now go to agreements with seventh. All are built on the principle of "third-third over, so arrangements will have the following elements:

1 - basic
3 - third
5 - quint
7 - seventh

in the picture below to see how they apply to agreements with the seventh harmonization range G major.




Exactly as the triads, seventh types of agreement are determined by the schedule contained intervals.

Harmonization in the seventh agreements contains four patterns of agreement

Major7 - 1 -3 -5 -7-Rateable maj7
Minor7 - 1-b3 - 5-b7 - note min7
Dominant7 - 1 -3 -5-b7 - note 7
Minor7b5 (half-diminished) - 1-b3-b5-b7 - note times min7b5, or a circle cut in half.

Applying the foregoing, each step we get the following agreements:



The scheme would look like:

I - maj7
II - min7
III - min7
IV - maj7
V - 7
VI - min7
VII - min7b5

Again, the order types of agreements is the same for any major line. Henceforth we will use in this course largely because there are agreements with the seventh most common in jazz and improvisation. So learn well this chapter


At this point, we have all the information needed to harmonize any major game. In the next lesson we will apply all these things bass

Exercise 2

Ranges for each of the major theme will be to write:

1. Notes major range
2. Harmonization agreements with seventh in the portable
3. The name of each agreement and its type (eg. gmin)

IMPORTANT: Be sure to include specific alterations and different tones.

TYPE = http://www.blanksheetmusic.net/ here you can print pages free "music" for this exercise.



Gb major

B major

E major

A major

D major

G major

C major



Increase in the study !!!